ThePowerofEmotionexplainsthatemotionisn'ttobeconfusedwithsentimentality.Emotionisancientandmorepowerfulthananyartform.Thefilmlooksatyoungcoupleswhorunintodifficultiesastheytrytotranslatetheirexperiencesofloveintocleardecision-making.Awomanwhohasshotherhusbandprovidesajudgewithapuzzle.Thosewholovecanbringthedeadbacktolifebymeansofco-operation.That'sthefocusoftheopera，“ThePowerPlantofEmotions”以及所述“Operaofthe20thCentury”cinema.AlexanderKluge：ThePowerofFeelingWhenIstartedworkingonThePowerofFeeling，Iwasnotinarationalstate.Ididnotsay，IhaveasubjectandnowIwillmakeafilmaboutit.InsteadIwasspellboundandobservedinmydirectsurroundings，forexample，howfeelingsmove.Ihavenotreallydealtwiththethemeofmymother'sdeathandthefactthatshewastheonewhotaughtme“howfeelingsmove ”NorhaveIdealtwithhowsheded。這是整個感情的範圍：“所有的感情都相信一個幸福的結局，”每個人都堅信自己會永遠活下去：整個範圍莫名其妙地樂觀，積極的生活態度持續了很長時間jno sshewasyoung, as long as long asherbodyold, from one day to next she crashes. 她只是突然崩潰，就像在第五幕災難發生的地方。感覺就像我觀察到了空中襲擊輻射。電影The Powerofings howtheyareorganized，howtheyencounterthefortunetheyareseeking.Whatisallthisorganizationoffeelingsabout Generallyfeelingstendtobeadictatorship.Itisadictatorshipofthemoment.ThestrongfeelingIamhavingrightnowsuppressestheothers.Forthoughtsthiswouldnotbethecase.Onethoughtattractsotherslikeamagnet.Peoplethereforeneedaffirmationbyotherpeopletobesureabouttheirownfeelings（tocounteracttheacquisitionoftheirfeelingsthroughoutsideforces）.Throughtheinteractionofmanypeople，forexample，inpublic，不同的感受有磁引力以彼此，正如misli.Občutki與其在javnosti.Kinemaisthepublicseatofobčutki在表現通信20 世紀。組織機構這樣設置：即使是悲傷的感覺在電影院裡也很開心。這是關於尋找安慰：在 19 世紀，歌劇院是感覺的家。壓倒性的大多數 operashadatragicend。你觀察到了 davingsamichentimatin面對命運的力量。在 20 世紀，感覺將自己擋在了這種舒適的後面，在 19 世紀，他們在致命的嚴肅性中鞏固了自己。